
Once I read the book, I discovered why it had slipped my attention: it wasn't really worthy of anybody's attention. Don't get me wrong; reading it was certainly better than reading nothing (not a sentiment I've wasted on some other noteworthy bores of books), but only slightly. Since my only other option was to watch the plane's progress on my phone (about as entertaining and fruitful as watching paint dry), I slogged ahead.
Sprinkled throughout are a few gems that remind me why I enjoy Peter Mayle's writing:
"And then, clearly suspecting the poor German of trying to smuggle a potentially dangerous sense of humor onto the aircraft, ordered him to step aside and wait for the supervisor."
"'Monsieur is an old client of ours, and the girl is his daughter. He is teaching her how to have dinner with a man.' Only in France, Sam thought. Only in France."
Sam is a fairly typical Mayle hero: a morally ambiguous character you have to kind of like. Except, this time, I don't like him as much as I should. He is not as three dimensional as he should be. And the girl he ends up with, the girl you know from the very beginning he's going to end up with, is not as interesting as she should be.
Maybe there's a reason Mayle doesn't write books as often as he used to.
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